Custom Ornamental Blackwork Tattoos in Portland, Oregon

Intricate linework, dotwork, geometric, and folk art-inspired tattoos, designed to flow with the body.

Currently booking custom & flash projects, large and small, in my Portland, OR studio.

What is my tattoo style?

A man with two full ornamental tattoo sleeves with geometric patterns and flowers

I focus on tattoos with:

Ornamental blackwork, folk art, and dotwork patterns
Large scale compositions as well as small ornaments
Drawn with your body, story, and aesthetic in mind
Each tattoo is created collaboratively and designed to age with you

What It’s Like to Work Together?

Consultation. We discuss placement, scale, symbolism, design elements, and timeline. Bring your questions!
Design. I create a custom piece based on your anatomy, intentions, and the details we discuss.
Tattoo Session. Focused, supportive studio environment, with snacks and breaks as needed.
Aftercare. Clear guidance to support healing and longevity.

Projects are booked by consultation. Larger pieces may require multiple sessions. For flash designs and traveling sessions, consults may be done over video call.

A woman tattooing another woman

Studio Location

Image of the ActivSpace building on SE Main in Portland, Oregon. A large red warehouse style four story building.
Guest Spots in Your City

About the Artist

I started tattooing in 2020 and have worked primarily in ornamental blackwork. My decade of working as a henna artist informs my tattoo style, while my background in holistic bodywork informs how I approach placement, pain tolerance, pacing, and long-term body awareness.
I have been fascinated by tattoos since the first time I saw my father’s faded military tattoo, probably an eagle, now just a blurred memory of a memory. As the child of two wild punk-hippie artists, I grew up surrounded by paint, canvas, instruments, and magic. I drew tattoos on myself with markers and tried to convince my mom to let me get one when I was twelve (that did not work, even in Florida!). As a young single mom, I put the idea aside for years and pursued art academically, earning a degree in digital art from ASU in 2008.
After moving to Portland, I was mentored as a henna artist by Melanie Ooi beginning in 2012, who taught me more than any art professor about precision, flow, and the sophistication of design, and about studying the history of the art forms you practice. In 2020 we spent nearly six weeks in India filming World of Henna, the first feature-length documentary exploring henna as a traditional art form. That journey reminded me of my early passion for a more permanent body art and inspired me to return home and pursue tattooing professionally. I was lucky enough to have the mentorship of another dear friend and incredible artist, Jeffrey Tarinelli, who’s technical skill and passion for design continues to be a guiding compass in my work.
Tattooing is my greatest creative love affair. It is an art form with depth, ritual, and a human connection unlike any other I have experienced. The pain, the permanence, the story each person carries through their tattoo leave me in awe. When we receive a tattoo, we are simultaneously letting go of and reclaiming the body, transforming and celebrating ourselves. It is an honor to be part of this lineage, and I continue to study, refine, and grow in both pattern work and the art of tattooing.

Headshot of Erika Ryn, tattoo artist and massage therapist

Some Frequently Asked Questions

Do you take tattoo smaller designs?
How far out are you booking?
How do I request a tattoo?
Have more questions about all things tattoo?

Indian woman's hands with henna designs on palms.

World of Henna

Curious about where henna comes from, who uses henna, and what the designs mean? You can watch both  World of Henna films online. These are the first feature length documentaries ever to be made about the farming, culture, history, design elements, and application techniques of henna in both India and Morocco.

These films were created as a passion project, for the love of henna and the henna community, by Melanie Ooi and Erika Ryn (that’s me!).

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